BABY KANGO

BABY KANGO

  • R & B - Soul
  • Los Ageles, CA
  • Song Plays: 1,412
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Songs

Viewing 8 of 24 Songs
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Funky Fresh
R & B - General
Plays: 28
Limelight
R & B - Soul
Plays: 5
Turning Point
R & B - Contemporary
Plays: 4
Money Shot
R & B - Contemporary
Plays: 6
Rise and Shine
R & B - Contemporary
Plays: 5
Impulse
R & B - Contemporary
Plays: 24
EnTrapment
R & B - General
Plays: 23
Being with You
Pop - Dreampop
Plays: 22
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R&B; Hip Hop; Neo Soul; Music production

Similar Artists

Teddy Riley;Chuckii Booker; R. Kelly; Dallas Austin; Jimmy "Jam" Harris & Terry Lewis; Jermaine Dupree;Dr Dre

Influences

Barry White; Earth Wind & Fire; Stevie Wonder; Prince; The Jacksons; George Clinton & Parliment; Roger Troutman; The Isley Brothers; Ohio Players; Average White Band; Mint Condition; Jimmy Jam & Terry Lewis

Baby Kango Bio


BABY KANGO PRODUCTION
Baby Kango aka Joey Paschal, GRAMMY AWARD WINNING Songwriter & Producer providing Urban/Contemporary music.

EXPERIENCE Joey Paschal's past projects include but not limited to: 1990:
Music Coordinator for the-Collins Entertainment Group "Body Up- 30 Day Step Aerobics Workout" featuring Karen Gardner

1993: Writer & Producer for Jam Hair Care Summer East Coast Jingle "Jammin Styles" (Radio)

1997: Co Writer of the song "Slow your Roll" for Crysler/Jeep Cheerokee Jingle featuring Barry White (Staying Power-Private Music)(television) 1999: Co Writer on the single "STAYING POWER" performed by Barry White that was featured on the Fox Network "Alley McBeal Show" (television) & the Debut single of his last Original Album (STAYING POWER-Private Music)(Certified Gold)

1999: "STAYING POWER" won Grammy Awards for Best R&B Male Vocal Solo & Best Traditional R&B Vocal Performance (Barry Whites' first and only Grammy Awards of his historic career)



COLABORATIONS

Rap Artist: PAPERBOY ; Session work on the album Ã?"City to cityÃ?"-Song: Ã?"Swayz GroovÃ?"
R&B Female Vocal Group: FOUR REEL; Live performance
R&B Artist: BARRY WHITE; Co-writer of his Grammy Award winning hit Ã?"STAYING POWERÃ?"
R&B Artist: SCOOTER MAC; Writing & Production
R&B Artist: WILLIAM HART (formally of the Delfonics)

BABY KANGO Website
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Videos

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Comments

Author

Hi,

I came across your work on Broadjam and spent some time listening to "Turning point", there's a level of artistry and direction in your sound that's not easy to come by.

I work privately with a select number of artists, composers, and producers who are serious about positioning their music beyond traditional releases particularly within the sync and licensing space.

In my experience, many strong catalogs remain under leveraged, not due to a lack of quality, but because they aren't aligned with how music supervisors and licensing platforms actually search, filter, and select material.

My role is to bridge that gap refining catalog presentation, enhancing sync readiness, and ensuring the music is positioned where it holds real commercial value. The goal is simple: to open doors to meaningful placements, strategic partnerships, and long term opportunities.

I'm selective about who I work with, but I believe your sound could translate well in that space.

Out of curiosity, is sync and licensing currently part of your long term strategy, or is your focus elsewhere at the moment?

Best regards,
Rebecca
Seo Specialist and Sync Licensing Consultant

2 Replies
 
BABY KANGO
2 days ago

Miss Rebecca thank you for reaching out. I appreciate you listening to my track. Yes my music is arrainged and formatted for Sync Licensing. I understand the true value someone like yourself can provide, but I am not in a positision to hire your kind of support.

I really appreciate your honesty and I respect that. Also, it's good to hear you're already thinking in terms of sync readiness. Most artists don't even get that far, so you're ahead in that sense.
And just to be clear, I'm not here to push you into anything you're not ready for. Timing matters with this kind of move.
Out of curiosity though, since you already have your catalog structured for sync...
have you started actively pitching or getting it in front of supervisors and libraries yet, or is that still a work in progress?

Cheers,
Rebecca



Author
Steven B
6 days ago to BABY KANGO

Hey, I came across your track and I like the direction you're going with your sound.
Quick question, have you ever considered preparing your music for sync licensing (film, TV, ads)?
A lot of artists I speak to have strong songs but miss out on opportunities because their tracks aren't fully sync-ready.
If you're open, I can give you a quick insight into how your music could be positioned for licensing.
Feel free to reply here or send your track to belovedsteve760@gmail.com

Best regards,
Steven
Music SEO & Visibility Specialist

7 Replies
 
BABY KANGO
6 days ago

Sync Licensing IS my primary focus. Most of my music is formated and arrainged specifically for that purpose

Appreciate You,
BKango

Steven B
6 days ago

Hey BKango, I respect that, that already puts you ahead of a lot of artists I come across.
Out of curiosity, are you mainly pitching your tracks yourself, or working through libraries and placements right now?
Reason I ask is, a lot of artists I speak with have their music formatted correctly for sync, but still hit a wall when it comes to actual placements or consistent traction--not because of the music, but how the catalog is positioned and discovered on the backend.
If you're already seeing steady placements, that's solid. If not, there might be a few small things worth tightening up.
Either way, I'd be interested to hear one of your tracks.

Steven

BABY KANGO
6 days ago

I've been networking the past couple of years. Like most anything these days it's about establishing relationships. I've had a little success with some past work, but really trying to break through consistantly. I'm an independant Composer/Producer trying to connect with Supervisors. I don't have a budget to force a compaign, but if people are in a position to help, I'm able to be a team player. I have tracks on my page here you can check out or you can go to my SoundCloud Sync Licensing playlist I'll provide. https://soundcloud.com/baby-kango/s ets/licensing-playlist

BABY KANGO
6 days ago

https://soundcloud.com/baby-kango/s ets/licensing-playlist?si=245fdea32 ded43728d221f22828269b0&utm_source= clipboard&utm_medium=text&utm_campa ign=social_sharing

Steven B
5 days ago

I took some time to go through your playlist, first off, you've definitely got the right foundation for sync. The structure and overall direction of your tracks already sit in that lane, so you're not off at all.
What stood out to me though is exactly what you mentioned, you've got the pieces in place, but the jump to consistent placements usually comes down to how the catalog is positioned and how easily supervisors can connect the music to specific use cases.
That's the part a lot of solid composers overlook, especially when they're doing most of the outreach themselves.
And based on what I'm hearing, it's not really a talent gap, it's more of a positioning and presentation gap that's likely holding things back from scaling consistently.
If you're open to it, I can do a focused catalog review and point out where those gaps might be and what could be tightened up so you're not just relying on networking alone.
Nothing heavy, just a clear breakdown so you know exactly what to adjust moving forward.
Let me know and I'll send over the details.

BABY KANGO
5 days ago

OK, What are you offering...out of pocket

Steven B
5 days ago

I completely understand wanting to know upfront.
What I typically offer is a focused Catalog Optimization & Sync Positioning Review specifically for independent composers trying to land more consistent placements.

Based on what you shared, I'd be looking at things like:

How your tracks are positioned for supervisors
Catalog organization and usability
Marketability for different sync scenarios
Any gaps that might be affecting consistent placements

It's not a generic overview, it's tailored specifically to your catalog and goals.
After that, if you find the insight useful, we can decide whether you'd like help implementing anything
Let me know if that works for you and I'll send over the next steps.



Author
Wura
1 week ago to BABY KANGO

Hi BABY KANGO,
I've been reviewing a few catalogs on Broadjam, and your name came up in that process.
I work closely with artists on the sync side, specifically identifying what's actually holding strong records back from being considered for placements.
I'd like to take one of your tracks through a Sync-Ready Audit.
That means looking beyond the music itself and into the details that supervisors quietly filter for metadata structure, registration alignment, and overall pitch readiness. Just a clear breakdown of where your track stands and what could make it more placement-ready.

If you're open to it, send me a link to the track you'd want reviewed: wuradigitals@gmail.com
Best regards,

Wura Digital Services
Sync Strategy & Catalog Development

1 Replies
 
BABY KANGO
5 days ago

just sent you an email. Thanx alot



BABY KANGO Friends

Lyfe Concierge Publishing Kate Carpenter Ron Anthony dre S. Wells Music Serneka Nickel N Dime Productions CHARLIE MAC InnerForceRecords.com IMRadio Barry Osbourn KRITIKAL Ms. Tracey Lee OasisEntertainment Warm Glow Studios Angelia L. Boynton (JA'LEAH) Chris Di Bernardo Mr.B Beats , LLC (BMI) Dessy Di Lauro
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