I've been a working musician for many, many years. I've worked with, and learned from some of the best there is - in my opinion. I write and record any and all styles of music that exists, and have to say that I get the most enjoyment out of soundtrack work - mostly orchestral, but it doesn't matter much what style. Whatever fits.

How Bout A Little Bio

A short Biography. I don't record with a band, all instruments and vocals are recorded by me alone, though working with a band is the greatest!

I'm not going to be long winded - just to say that I've been a working musician for many, many years. I've worked with, and learned from some of the best there is - in my opinion. I write and record any and all styles of music that exists, and have to say that I get the most enjoyment out of soundtrack work - mostly orchestral, but it doesn't matter much what style. Whatever fits the bill.

I play all instruments, which makes it pretty easy to get music recorded in quite timely fashion - not having to schedule any outside players, or wait for them, or have to pay anyone - which means I don't have to ask for any more fees than is needed.

That's my quick Bio - I love it, therefore I do it! Thanks.

Playlists

This Artist has 3 Playlists

Comments

Author
Brandi Simpson
1 week ago to Chris Landi

Get On Up is such a feel good song. Wish I could give it 5 stars again.



Author
MercyJ
over 30 days ago to Chris Landi

Hey Chris,
Frankly, your sound already has a strong identity, which is rare.
But what usually holds artists back at that point isn't the music, it's how everything around it is positioned; branding, PR narrative, and how it's introduced to the right spaces (film, licensing, etc.).

I work with creatives on that side, making sure the music actually opens doors, not just streams.
Have you started exploring that yet?



Hi,

I came across your work on Broadjam and spent some time listening to "Money", there's a level of artistry and direction in your sound that's not easy to come by.
I work privately with a select number of artists, composers, and producers who are serious about positioning their music beyond traditional releases particularly within the sync and licensing space.
In my experience, many strong catalogs remain under leveraged, not due to a lack of quality, but because they aren't aligned with how music supervisors and licensing platforms actually search, filter, and select material.

My role is to bridge that gap refining catalog presentation, enhancing sync readiness, and ensuring the music is positioned where it holds real commercial value. The goal is simple: to open doors to meaningful placements, strategic partnerships, and long term opportunities.

I'm selective about who I work with, but I believe your sound could translate well in that space.
Out of curiosity, is sync and licensing currently part of your long term strategy, or is your focus elsewhere at the moment?

If you are interested kindly reach out to me:rebeccadigital03@gmail.com

Cheers,
Rebecca
Seo Specialist and Sync Licensing Consultant



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