Born and raised in New Orleans, Remahn's music often surpass the mundane, monotonous, and tedious offerings that you find on most radio stations. Inspiration descends upon him like a dove whenever he hears something that feels classic; transitional movements based on the rhythm, sound, arrangement, tone, and ambiance, consume him. Remahn lives and breathes music, while anxiously awaiting the world to hear his art.

In a mass produced, over-simplified culture, Remahn strives to bring something moving to an oversaturated musical environment. One day, he wants to work with artists that inspire him, such as Marsha Ambrosius, Stevie Wonder, and Eric Roberson to name a few.
Describing Remahn's music is like trying to catch lightening in a bottle. His personality infuses his music, which assures fresh, off-kilter, and completely unpredictable results. Whether you nod your head at neck-snapping speeds, or zone out, you will not fail to be stirred by one of Remahn's compositions.

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ianF is re-emerging into the music stratosphere with experimental and alternative developments of his music style and offerings sure to attract those seeking to evolve in the realm of progressive music creation.

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BORN AND RAISED IN NEW ORLEANS, REMAHN'S IMMERSION IN MUSIC BEGAN BEFORE HE COULD TALK. HIS UNCLE AND COUSIN PLAYED IN THE RENOWNED SOUTHERN UNIVERSITY JAGUARS MARCHING BAND, WHILE HIS FATHER SANG AND PLAYED GUITAR FOR A NEW ORLEANS SOUL/FUNK BAND. HIS VIEWS ON MUSIC OFTEN SURPASS THE MUNDANE, MONOTONOUS, AND TEDIOUS OFFERINGS THAT YOU FIND ON MOST RADIO STATIONS. MUSIC OPENS ONE TO NEW, CREATIVE, OR SINGULAR SOUNDS THAT MAY SEEM INITIALLY DISPARATE OR PARADOXICAL. INSPIRATION DESCENDS UPON HIM LIKE A DOVE WHENEVER HE HEARS SOMETHING THAT FEELS CLASSIC; TRANSITIONAL MOVEMENTS BASED ON THE RHYTHM, SOUND, ARRANGEMENT, TONE, AND AMBIANCE, CONSUME HIM.
THE MUSIC LIVES IN REMAHN. HE SPENT HIS FORMATIVE YEARS SHAKING RATTLES AND ROLLING. THE ELEMENTARY YEARS FOUND HIM BEATING ON DESKS, LUNCHROOM TABLES, AND GARBAGE CANS. DURING JUNIOR HIGH, REMAHN SPIT AWKWARD BEATBOXES INTO THE FACES OF HIS FRIENDS. IN HIGH SCHOOL, HE WROTE, ARRANGED, AND PRODUCED HIS FIRST TRACK; A SYRUPY ODE TO POSITIVE LIVING FOUND ON AN OBSCURE, COMPILATION ALBUM. SINCE THEN, REMAHN HAS EXHAUSTED COUNTLESS HOURS PERFECTING HIS CRAFT. FOR HIM, MUSIC IS NOT AN "OUT", OR MEANS TO AN END; MUSIC IS THE END, IN AND OF ITSELF. IF YOU FIND REMAHN SILLY, INCORRIGIBLE, OR ANTSY, IT IS ONLY BECAUSE HE LIVES AND BREATHES MUSIC, WHILE ANXIOUSLY AWAITING THE WORLD TO HEAR HIS ART.
THE NEXT GENERATION OF MUSIC LOVERS SORELY MISSES THE SOUL CONNECTING POWER OF WORDS, RHYTHM, AND MELODY. IN A MASS PRODUCED, OVER-SIMPLIFIED CULTURE, REMAHN STRIVES TO BRING SOMETHING GROUNDBREAKING AND MOVING TO AN OVERSATURATED MUSICAL ENVIRONMENT. ONE DAY, HE WANTS TO WORK WITH ARTISTS THAT INSPIRE HIM, SUCH AS THE NEPTUNES, KANYE WEST, PORTISHEAD, STEVIE WONDER, AND ERIC ROBERSON TO NAME A FEW. DESCRIBING REMAHN'S MUSIC IS LIKE TRYING TO CATCH LIGHTENING IN A BOTTLE, OR PICKING YOUR FAVORITE SUNSET. HIS PERSONALITY INFUSES HIS MUSIC, WHICH ASSURES FRESH, OFF-KILTER, AND COMPLETELY UNPREDICTABLE RESULTS. WHETHER YOU NOD YOUR HEAD AT NECK-SNAPPING SPEEDS, OR ZONE OUT, YOU WILL NOT FAIL TO BE STIRRED BY ONE OF REMAHN'S COMPOSITIONS.