US-born musician Geoff Geer, songwriter, composer, music theorist, singer, guitarist, producer, performer, educator -- L2 Lead, Southwark College 2025 -- 70+ recordings, 30+ years, PhD Oxford Brookes 2023 comparing 20th century art music concrete vs instrumental, viva with Howard Skempton student of Cornelius Cardew, finalist UK Songwriting Contest, 14 semi-finalists UKSC, television finalist Rollin' Good Times Singapore 1995, music for Barron's Wordfest!, indie film, online radio, radio, Academia top 2-3% 2023 top 4% 2024, influenced most by Chandrakant Kapileshwari singer associated with Ravi Shankar, Iain McKinna Spirit of the Glen/Mouth Music, Paul Whitty student Michael Finnissy, worked with Lawrie MacMillan Stiltskin/The Iron Horse, Tony Looby The Skatalites And Friends - Ska Splash, Jonty Harrison acousmatic composer, Niall Muir Mouth Music/Seelyhoo, Andrew Nicholls pre-production Sade Babyfather/Long Hard Road, Scottish band Callanish, Kalamandir Orchestra Temple of Fine Arts, Heather Burnett-Rose singer Mike Oldfield/Clapton Angelina Jolie coach, Paul McKinna Meet the Spartans, lithographer Nele Zirnite, Greek jazz double bassist Mihalis Kalkanis, Cecilia Garcia Argentina National Orchestra, Ana Topalovic Sony, Marko Otmacic Zagreb Philharmonic Orchestra, Anglia Chamber Choir, Oxford Improvisors, The Dagmars, Steve Moore BBC/Netflix/ITV, Corey Nonis Singapore band Heritage, Nick White, Agung Mountain, Auld Reekie Rocks, Know, Alissar McCreary, Blanca Rodriguez Beltran, Katie Taylor, and others, studied also with Ray Lee, Paul Dibley Brit award experimental music, Patrick Farmer student Michael Pisaro, Kevin Flanagan Led Zeppelin/Katrina and the Waves/James Brown/Roger Waters arranger Jools Holland Show, Paul Rhys, John Banks Club Inégales with Peter Wiegold, Alexandra Wilson Puccini Problem, Julio d'Escrivan A&E/HBO, Phil Brooke Jazz Unlimited/Radio 3/Radio 2, Abigail Aronson Berklee, Steve Wark Berklee, worked in 33+ kitchens, only uses original software/plugins, music spans experimental/contemporary classical/electroacoustic/rock/genre-blending. "My research bridges composition, songwriting, and production, exploring how harmonic language, texture, and studio processes shape narrative and affect. I develop hybrid works for string quartet and acousmatic tape, creating extremely low-dynamic electroacoustic textures fused with instrumental timbre, and I use an ekphrastic method to translate acousmatic material into instrumental writing. I've also developed a theoretical model I call logarithmic dynamic tonality."