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Hi, I came across your track and found the structure and sonic direction quite compelling. It already aligns in some ways with what is typically considered for sync placements. Are you actively positioning your music for licensing opportunities, or is your current focus more on distribution and audience growth?
Hi Dino Jag, I came across your work on Broadjam and spent some time listening to "DIFFERENT", there's a level of artistry and direction in your sound that's not easy to come by. I work privately with a select number of artists, composers, and producers who are serious about positioning their music beyond traditional releases particularly within the sync and licensing space. In my experience, many strong catalogs remain under leveraged, not due to a lack of quality, but because they aren't aligned with how music supervisors and licensing platforms actually search, filter, and select material. My role is to bridge that gap refining catalog presentation, enhancing sync readiness, and ensuring the music is positioned where it holds real commercial value. The goal is simple: to open doors to meaningful placements, strategic partnerships, and long term opportunities. I'm selective about who I work with, but I believe your sound could translate well in that space. Out of curiosity, is sync and licensing currently part of your long term strategy, or is your focus elsewhere at the moment? You can also reach me directly here: ? remioyinkansola@gmail.com Cheeers, Oyin SEO & Sync Licensing Optimization for Artists, Producers & Composers