Temmy Digitals | Music Licensing & Sync Specialist

2 weeks ago to Laya Fisher

Hi, I checked out your track and really liked the sound, strong production and definitely something that could work well for sync.
I did notice a few small things that might be limiting its placement potential, mainly around metadata, track versions, and how the catalog is presented.
Those details tend to matter a lot when supervisors are filtering music.
I spend a lot of time helping artists get their music fully sync-ready, so if you're open, I'd be happy to share a few quick pointers.

No pressure at all, just thought I'd reach out.

OYIN/SEO & Sync Licensing Optimization for Artists, Producers & Composers

4 weeks ago to Laya Fisher

Hi Laya,

I came across your work on Broadjam and spent some time listening to "SCARLET", there's a level of artistry and direction in your sound that's not easy to come by.
I work privately with a select number of artists, composers, and producers who are serious about positioning their music beyond traditional releases particularly within the sync and licensing space.
In my experience, many strong catalogs remain under leveraged, not due to a lack of quality, but because they aren't aligned with how music supervisors and licensing platforms actually search, filter, and select material.

My role is to bridge that gap refining catalog presentation, enhancing sync readiness, and ensuring the music is positioned where it holds real commercial value. The goal is simple: to open doors to meaningful placements, strategic partnerships, and long term opportunities.

I'm selective about who I work with, but I believe your sound could translate well in that space.
Out of curiosity, is sync and licensing currently part of your long term strategy, or is your focus elsewhere at the moment?

You can also reach me directly here:
? remioyinkansola@gmail.com

Cheeers,
Oyin
SEO & Sync Licensing Optimization for Artists, Producers & Composers