CNOTESWORLD BIO
A.K.A CHRISTOPHER WILLIAMS


Born in Spanish Harlem New York, Played five instruments, bass, trombone, drums, French horn and drums. I have been in the music industry for forty-five years. I was signed to an independent label, Pure Records, Joe Safina , CEO, then was signed to Universal Records Loud as a Music Producer. Music I produced "A Million" Artist Na'sha featuring Jay-Z , remixed by Cool and Dre. C-Wells "Off The Porch" featuring Dave East. Now working on LIC Sync for commercials , movies and more. 







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UMAS AWARDS

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Videos

This Artist has 2 Videos

Comments

Author
MercyJ
2 weeks ago to CNOTESWORLD

Hey Cnotesworld,
Frankly, your sound already has a strong identity, which is rare.
But what usually holds artists back at that point isn't the music, it's how everything around it is positioned; branding, PR narrative, and how it's introduced to the right spaces (film, licensing, etc.).

I work with creatives on that side, making sure the music actually opens doors, not just streams.
Have you started exploring that yet?



Author
Steven B
3 weeks ago to CNOTESWORLD

Hey, I came across your track and I like the direction you're going with your sound.
Quick question, have you ever considered preparing your music for sync licensing (film, TV, ads)?
A lot of artists I speak to have strong songs but miss out on opportunities because their tracks aren't fully sync-ready.
If you're open, I can give you a quick insight into how your music could be positioned for licensing.
Feel free to reply here or send your track to belovedsteve760@gmail.com

Best regards,
Steven
Music SEO & Visibility Specialist



Author
Wura
3 weeks ago to CNOTESWORLD

Hi CNOTESWORLD,
I've been reviewing a few catalogs on Broadjam, and your name came up in that process.
I work closely with artists on the sync side, specifically identifying what's actually holding strong records back from being considered for placements.
I'd like to take one of your tracks through a Sync-Ready Audit.
That means looking beyond the music itself and into the details that supervisors quietly filter for metadata structure, registration alignment, and overall pitch readiness. Just a clear breakdown of where your track stands and what could make it more placement-ready.

If you're open to it, send me a link to the track you'd want reviewed: wuradigitals@gmail.com
Best regards,

Wura Digital Services
Sync Strategy & Catalog Development



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