3rd Eye Tribe Ent. is an independent record label founded in Los Angeles in 2014 by Eric “Cthree” McElroy, Jr.—a creative home built for forward-thinking music and culture.


Blending raw storytelling with elevated sonic design expanding its global reach while maintaining its independent spirit and creative control.


Operating from recording studio headquarters in Santa Ana and New York, 3rd Eye Tribe Ent. functions as a collective—artist-driven, intentional, and unapologetically original.

Sounds Like: SZA, Common

Latest News

Cthree was introduced into the underground scene in 2014 as he appeared on Snoop Dogg's Underground Heat 71 releasing his debut single "Higher plane" Featuring Ebony Mahal, Now gearing to release his 1st studio album in October  "Spirit Language" distributed by Sony owned company The Orchard in 2019.

Comments

Hi,
I came across your track on Broadjam and I really liked the cinematic build and the production quality. Your sound already feels sync-friendly, especially for film and ads
That said, I noticed a few small but critical gaps that could be holding this track, and your catalog, back from actual placements:

~Metadata Optimization -- Your track isn't fully tagged with industry-standard mood, energy, and scene descriptors that music supervisors use when filtering thousands of tracks.
~Sync-Ready Versions -- I didn't see instrumental, clean, or alternate mixes listed -- these are often required for TV/Film licensing consideration.
~Catalog Positioning -- Your profile and releases aren't fully optimized for music discovery algorithms, which means you're likely missing passive opportunities.
The good news is, these are fixable and can significantly improve your chances of playlisting, licensing, and placements.
I help artists turn their music into "one-stop", sync-ready catalogs that are professionally structured and positioned for opportunities.

If you're open, I can run a free quick audit of your Broadjam profile and show you:

• What's missing
• What supervisors typically look for
• How your current tracks can be improved for licensing
No pressure, just useful insight.
Would you be open to a quick chat? You can reply here or email me at belovedsteve760@gmail.com

Best,
Steven
Music SEO & Visibility Specialist



Hi 3rd EYE,
I spent some time listening to "Just To Be With You" on Broadjam.
What stood out wasn't just the production, it was the structural intent behind the arrangements. It feels like you're refining direction rather than just uploading songs.
I work independently with artists on catalog positioning, specifically around sync-readiness, metadata structure, and how music is presented industry-facing before releases or submissions.

I'm not affiliated with Broadjam, and I don't offer promotion or playlist services. My focus is strictly on structure and positioning.
Out of curiosity!, are you currently building toward sync opportunities, audience growth, or just experimenting creatively right now?

Sincerely,
Bachana

4 Replies
 
3rd Eye Tribe Entertainment
over 30 days ago

Yes! we are building a synch ready catalog for tv and film. Thank you for your feedback its greatly appreciated.

That's good to hear.

Few question though. Out of curiosity, is your catalog currently:
a) One stop cleared?
b) Fully registered (PRO + ISRC)?
c) Equipped with instrumentals and broadcast edits?
d) Structured for fast licensing turnaround?

3rd Eye Tribe Entertainment
over 30 days ago

Yes One stop clearance our PRO is BMI and we have stems and instrumentals ready. Yes structed for fast turn around

Got it!!.

That's usually where most strong catalogs hit friction. Supervisors don't fix infrastructure, they license what's ready.
Have you ever had a supervisor request something and needed to scramble to organize splits or edits?



Clean Clean

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