Inacio Zatz is a solo artist, with two cds on the brasilian market. The music was recorded by some of the most prestigious session musicians working in brazil,people such as Mario Manga (that was Ivan Lins musical director) and Rodrigo Rodrigues.
For almost 25 years,he composed movie soundtracks like Vera,silver bear prize in Berlim festival and many other films and tv shows.

Latest News

WWW.INACIOZATZ.COM

Press Info

Joe Sixpack, Music Director of KALX 90.7FM, in Berkeley, California, and Slipcue.Com President.
Inacio Zatz "Zatz" (Dabliu, 2000)
A striking, surprising, and quite pleasant new example of the Brazilian mix-n-match method of music making... The album opens on a potentially troublesome note -- a piercing, BB King-style, electric blues riff, the sort of thing that in the United States has signified a muscle-bound, moribund musical genre ("urban blues") that has completely lost its creative edge for the last few decades... Naturally, when you hear someone in Brazil pick up a twang bar and wail away, your first instinct is to run and hide -- yet far from sucking, Inacio Zatz is a gas. For one thing, he's not a blues musician... at least he's not limited to the style. Actually, he doesn't seem to be limited to any style: this is an impressively eclectic record, incorporating bossa nova, afro-bloco percussion, Asian traditional and various shades of rock with equal ease. A few over

Influences

Beatles,Tom Jobim,Ari Barroso,Gershwin,Cole Porter,
Nino Rota,Louis Armstrong,Chopin,Chet Baker,Julie London,Brigit Bardot and Groucho Marx.

Bio

Inacio Zatz is a solo artist, with two cds on the brasilian market. The music was recorded by some of the most prestigious session musicians working in brazil,people such as Mario Manga (that was Ivan Lins musical director) and Rodrigo Rodrigues.
For almost 25 years,he composed movie soundtracks like Vera,silver bear prize in Berlim festival and many other films and tv shows.

Videos

This Artist has 1 Video

Comments

Hi,

I came across your work on Broadjam and spent some time listening, there's a level of artistry and direction in your sound that's not easy to come by.
I work privately with a select number of artists, composers, and producers who are serious about positioning their music beyond traditional releases particularly within the sync and licensing space.
In my experience, many strong catalogs remain under leveraged, not due to a lack of quality, but because they aren't aligned with how music supervisors and licensing platforms actually search, filter, and select material.

My role is to bridge that gap refining catalog presentation, enhancing sync readiness, and ensuring the music is positioned where it holds real commercial value. The goal is simple: to open doors to meaningful placements, strategic partnerships, and long term opportunities.

I'm selective about who I work with, but I believe your sound could translate well in that space.
Out of curiosity, is sync and licensing currently part of your long term strategy, or is your focus elsewhere at the moment?

If you are interested kindly reach out to me:opeyemioyinkansola1@gmail.com

Cheeers,
OYIN
Seo Specialist and Sync Licensing Consultant



Clean Clean

Clean Clean

Artist Name
00:00 / 00:00