"Imagine a Southern Tom Waits or a rural Leonard Cohen. That's as close as we can come to a nut-shell description of the music of Kodac Harrison, a genuinely gifted artist and one of the southeast's musical treasures."
Creative Loafing, Savannah, Ga., 3/3/98

Press Info

"Kodac Harrison is clearly a multi-talented artist who effectively works in a variety of genres and guises."
Hal Horowitz, Atlanta Press, 11/14/99

"Kodac Harrisons Songtexte sind Literatur, sind Gedichte."
"Kodac Harrison's lyrics are literature, are poetry."
Udo Hinz, Goettinger Tageblatt, Germany 10/26/00

Similar Artists

Tom Waits,Leonard Cohen,,

Influences

Howling Wolf ,Otis Redding.,,

Bio

Kodac Harrison grew up slowly in Jackson, Ga. where he lived in the same house for the first 18 years of his life. Since then, Kodac has lived in New Orleans, Texas, California, New York City, and high upon a ridge in West Virginia. His home now is in Atlanta where he has fronted several bands and made 9 recordings for two different record labels. Harrison, whose roots are in Blues and Southern Soul, calls his music "Beatnik Blues," because of the poetic nature of his lyrics. As an acoustic guitarist, he uses a wide variety of tones. The songs he writes are as distinctive as his baritone voice. Kodac is influenced by many authors and songwriters, but occasionally he has to have a fix of Howling Wolf or Otis Redding. Harrison performs solo, as a spoken word artist, and with a band that varies from 3 to 10 pieces. He's written songs for two movies; "Dead Aim," and "Mace," and appeared on film as a spoken word artist in the indepently produced, "Prayers From The Phoenix City." With the coming of 2000, Kodac has become more envolved with Slam Poetry and competed in the SE Regional Poetry Slam as the top scorer on the Athens, Ga. team. He also made his 3rd tour of Europe performing in Germany and The Netherlands.

Comments

Hi,

I came across your work on Broadjam and spent some time listening to "LAZY RIVER BLUES", there's a level of artistry and direction in your sound that's not easy to come by.
I work privately with a select number of artists, composers, and producers who are serious about positioning their music beyond traditional releases particularly within the sync and licensing space.
In my experience, many strong catalogs remain under leveraged, not due to a lack of quality, but because they aren't aligned with how music supervisors and licensing platforms actually search, filter, and select material.

My role is to bridge that gap refining catalog presentation, enhancing sync readiness, and ensuring the music is positioned where it holds real commercial value. The goal is simple: to open doors to meaningful placements, strategic partnerships, and long term opportunities.

I'm selective about who I work with, but I believe your sound could translate well in that space.
Out of curiosity, is sync and licensing currently part of your long term strategy, or is your focus elsewhere at the moment?

You can also reach me directly here:
? remioyinkansola@gmail.com

Cheeers,
Oyin
SEO & Sync Licensing Optimization for Artists, Producers & Composers



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