“GHOST” . .represents. . .say what. . .

NOMINATED FOR BEST R&B BY THE SOUTHERN CALIFORNIA MUSIC AWARDS !!!

GHOST's new ultra-funk sound is the straight out of St Louis rap of G. Rhymes with Mychael Bates' sounds of Brooklyn's mean streets on guitar...powered by the pure soul of J. D. Bass and the prodigy funk drums of gentleman, scholar, acrobat. . .. "Poppin' fresh", Lyle D. plus the rabble rousing vocals of Paul Benshoof. In the midnight hour, they’re laying down hot new cuts for a second album, "The Get Down", at their own production studio, Get Ghost Music.

Ghost in Music Connection 2005

Ghost featured in Music Connection Magazine.
By Ben Nachman

Ghost presents an intriguing blend of funk and hip-hop that incorporates a modern take on the Check Your Head-era Beastie Boys and Brand New Heavies with Sly & The Family Stone style choruses. There’s also a taste of dance-hall reggae thrown in for good measure. From the political “I have a Question” to the party anthem “Let’s get Naked” and “Saturday Night” the funk on-slaught never lets up, whether riding a groove or showcasing inspired raps. All this bravado is tempered with a tongue-in-cheek sense of humor. The may be more G-Love than P-Funk, but Ghost have some thought-provoking and entertaining songs in their repertoire, and offer the perfect party soundtrack.

The arrangements are tight and lively, anchored by J.D. Bass’ propulsive bass playing and Lyle D’s relentless drumming, which lay down a solid foundation for Bates’ syncopated guitar and Arch’s melodic contributions on harmonica and trombone. Against the ample musical backdrop, G-Rhymes delivers impassioned and witty rhymes, backed up by Paul Benshoof, the comical, rabble rousing Flavor Flav to G-Rhyme’s Chuck D. Never allowing the hip-hop elements to over shadow the funk, or vice-versa, Ghost’s balanced attack is energetic and potent.

From the moment they took the stage, Ghost were full-thottle, in-your-face reminder that funk is best when it’s played loud, fast, and with relish. Taking an organic and democratic approach to their funk/hip-hop hybrid, Ghost come off as a spirited and engaging live band, whether giving Bates or Lyle D. a turn on the mic, or augumenting original compositions or doing a cover of the Bob Marley/Peter Tosh classic “Get Up Stand Up.”

In a music scene inudated with melancholy singer/songwriters and wannabe rock bands, Ghost come forth with a refreshing voice, displaying both musical acumen and a sense of fun.