The Trip Hop duo from BsAs.

Lendi Vexer recorded its first promotional EP in its own studio in 2002 (self-produced CDR) called Suicidal Adage. Originally, it consisted of 4 tracks (Tribute to desolation, Scape, Nothing was special and Suicidal adage).

After deciding to upload it on the Internet for sale, the duo got in touch with people abroad and with an Australian independent label. They put them in contact with distributors and promoted the EP. Once the first 500 units were sold out, in 2004 the EP was relaunched with a bonus track in which Natalie plays the Theremin in real time. This EP will be re-edited by Stereotape Records. As DJ Tom Bollinger played it in Australian clubs, it was him, this great Australian collaborator, who made the first Remix version of the song Nothing was special.

As this material became known, on the web, the duo was asked for permission to make a second remix. Thus, in 2004, The Crimson Underground (UK-North Ireland) made the remixed version of the track Suicidal adage. The EP was already being distributed by “Super D” (US) and was for sale in Cdbaby, Amazon and in Tower Records U.S.

During that year, in the UK and Brazil, Tripofagia (the main Trip Hop site) chooses the EP Suicidal Adage as one of the best three Trip Hop EPs in 2004. In 2005, the company Jun Group Entertainment, Inc. chooses Lendi Vexer to become part of the soundtrack of the “Episode 10” of the American TV show called “The scene”. The selected tracks were Nothing was special, Every Thing is Special Tom Bollinger MIX, Suicidal adage and Tribute to desolation. By the end of that year, the Trip Hop compilation W.E.B (Wicked Electronic Beats vol.1) is edited in the UK and Brazil by Tripofagia’s team. This selection of artists includes Lendi Vexer with its song Tribute to desolation. About this, Guto (Tripofagia) wrote "Tribute to Desolation is one of the nicest melancholic trip-hop songs I've ever heard...". This record also included, among other artists, U-topia and Lovage (Mike Patton, from Faith no more and Dan The Automator, Gorillaz’s producer). By early 2006, due to the fast impact of the record on the web, the Colombian artist Paddington Breaks contacted Lendi Vexer. He made the second remixed version of the song Nothing was special. Meanwhile, in Argentina, the EP was sold in the live shows that took place in “Niceto Club”, “Cemento”, “Especial”, “Remember Jazz Pub” and “El Argentino”, among others.



Diego Guiñazú: He started playing the bass in 1995 and, as he became interested in production, in 1996 he took a complete study course on M.I.D.I. with Alex Antonelli. Then, he got to Maestro Diego Merlo, sound engineer and orchestra director, with whom he studied Orchestration Techniques and Sound Engineering. He has always been interested in science and humanities. Moved by his critical spirit, which led him to study on his own these topics as well as those related to Human Rights, he studied at A.P.D.H (The Permanent Assembly for Human Rights), where he participates at present. All these ingredients are mixed in his art.



Natalie Naveira: She is a teacher of audio perception, musical reading and writing and violin. Lendi Vexer’s Front woman (singer, guitars and Theremin), she carries out the co-direction of the label Stereotape Records and plays the Theremin (Thereminist).

She studied guitar and took her violin teacher training course at Conservatorio de Música de Morón “Alberto Ginastera” (Music Institute), where she is taking at the moment a cello teacher training course. She is strongly interested in science and humanities. In fact, she studied and continues studying these topics and studied at A.P.D.H (The Permanent Assembly for Human Rights), where she participates at present. All these ingredients are mixed in her art

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