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'The composition differs in many respects from other contemporary works. It does not suffer from any skepticism, on the contrary, it is a kind of music therapy, a mirror of the author's feelings; an inner confession; presented elegantly and without any cheap effects. The work has surprising instrumentation... The composition felt really authentic...'
-Marta Gaborova, Hudobny Zivot, 'Musical Life', Slovakia, July/August issue, 2002