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How do you use Broadjam?

Broadjam is an international web community for musicians and their friends. It’s a place to discuss music, collaborate with other artists and submit songs for exciting professional opportunities. With the wide range of features and services Broadjam has to offer, there are tons of ways you can use Broadjam. We want to hear from you…how do you use Broadjam?

Posted by Broadjam on Mar 20, 2008 in Broadjam Blog

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RECENT COMMENTS …
29 total comments on this post.
  • pionear's comment is:

    Hi, I’m a little late here, but I’m a Free Member of BroadJam and I was interested in submitting some song for the Film/TV destination program.

    I would like to know, if it’s not too personal, how much in royalities and licensing fees do the guys who finally pick you music (MTV, Viacom, etc.) pay? Is it in the $1000′s? And how much do you usually recieve in publishing?

    Thanks for any answers…

    Jun 5, 2008/12:32 pm
  • thesvh's comment is:

    I just wanna send a HUGE thank you to Broadjam for helping me boost my career! Like many I held off for so long on setting up a website for fear of the costs and hassle involved, but Broadjam not only made it EASY they have inspired me to digitize my entire catalog and SELL SONGS!!! Having such a valuable home on the web is CRUCIAL to success and I am getting more clicks everyday! Having worked with members of White Zombie, Cirque du Soliel, Bad Company, Molly Hatchet and more I can say that BROADJAM’s Services are some of the most professional and valuable tools any artist, at any level can find! THANKS!

    SVH

    Solo Artist & Singer/Guitarist for Healer and Kurai

    Apr 9, 2008/2:23 pm
  • Steve Dafoe's comment is:

    Hello George (pianoman1) and to all:

    I know you sent me an e-mail to thank me for speaking up and for the support. I thought i’d answer it here maybe for the benefit of other members. I have been very vocal on all of these blogs since after the Web Transition began, (when i did not realize such a thing was going on.) I had many issues with the site and I realized all communications are done in a blog format. I laid out many points in frustration that I will not repeat here, (look in the archives) I have strong thoughts on the handling of the web transition itself and the on-going issues with it.

    Speaking to your e-mail…. I know one of your issues was in submitting 400+ songs and geting nowwhere fast. Hopefully, the law of averages will favor you soon. I’ve been guilty of submitting a lot of material at other sites and this one too, hoping for the ” big break”.
    Nobody said this would be easy. But i’ve learned a few things quickly.
    (1) As one example, TAXI has a lot of Listings from Music Libraries. And Music Libraries may or may not shop your material. Most are no different than Broadjam, where we can sell downloads etc.. But I learned why spend the $5 per song at Taxi/SonicBird/Indie 911, etc.. on these kind of listing submissions when you can go to many, many Music Libraries DIRECTLY who will take your stuff. For Free. Very few won’t….ie: The Music Library being one. And you may have to “audition” a few songs for some sites but very few actually work exclusively with a middle man (ie: Taxi) There goal is to build a Library and they are open for business from artists directly. On these Music Sites A/R people may scan what they’re looking for. Or the sites actively shop your product (ie: Royalty free places but ONE NEEDS TO VERY CAREFUL ABOUT ROYALTY FREE SITES).
    (2) Your frustration and others with the system Broadjam is using, is that it would be nice if we had a bit more of transparency on BJ TV/Film submissions. I understand it is “review” based on what gets forwarded first, but it would be nice to know that my song “ABC” was # 34 on a list of songs forwarded for submission # 123. (NY TV SERIES SEEKING….)
    A simple e-mail to me for the money I spent. Also, I’d be curious to know for the artists that have the good fortune for a Licence deal for TV/Film….where their song placement was…..in the first 5 or in the first 10?….or were they the 100th song? Does the Submission Listing A/R even bother with songs after the first 10—20 they receive?? It would be nice to know and maybe Roy and staff will take note on this.
    (3) Part of the Frustration in song submissions is the “generalization” of the actual listing’s. Song requirements aren’t as specific as they would be on sites like Sonicbirds or Taxi. In other words, they detail a SPECIFIC genre needed maybe something like “pure Country sounding like Traditional artist like George Jones”. With BJ TV/Film opportunities they tend to be wide ranging, (not always though)….. and its hard to know what song i might have that may be the best shot at a listing. I favor more specific type of listings that help us not waste money.

    Anyway, Pianoman1 this may or may not help you but i did want to respond for the benefit of all. I hope other people use all or some of the blogs to help Pianoman1, Earl, Jim, Shekhar and Cameron by voicing concerns and offering support. ( i believe there’s 86,000+ )
    This will be my last blog .

    Thanks

    Steve Dafoe

    Mar 30, 2008/8:50 pm

Customer Service Blog

Recently, Broadjam’s Customer Service group launched a blog on blogspot.com, broadjamcs.blogspot.com. This blog discusses Broadjam artists, new features, tips on how to use your Broadjam profile, and industry news. Check out Broadjam’s Customer Service blog and let us know what you think.

Use HTML – Over the last few years I’ve learned lots of ways to use my Broadjam hosted website to its fullest. There are little things you can do to make your website more appealing to visitors, but you’ll need a Primo Mob membership to do it. Currently Broadjam.com is offering 25% off any new signups and renewals. Just type Broadjam08 into the promotion code field.

Here is one of my recommendations:

Use HTML – Basic HTML will work on most of your profile pages on Broadjam as well as on your Content Editor. Basic HTML is easy to use and can make your website function and look better. I learned basic HTML from tizag.com. Using text links and image links is a great way to guide visitors through your website as well as to spice up certain pages. Look at what I did for my Bio page on djsportico.com. I took a small image that I uploaded at another website and then linked the image to the bio page of my Broadjam profile. Also, check out my links page for Dencity.org. You could tell someone to check out your news page and make the word “News” link to it. If you move your mouse over the menu buttons of your website and right click and choose Copy Shortcut, you’ll receive the direct URL to that page.

I prefer to use ImageShack.us to upload my images. They don’t add any watermarks to images, it’s free, and it’s easy to use. All you have to do is upload an image and then use the direct link option they give you. You’ll probably need to resize most of your images, so be prepared to spend some quality time on your website.


Posted by Broadjam on Mar 18, 2008 in Broadjam Blog

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RECENT COMMENTS …
16 total comments on this post.
  • Bobby Caputo's comment is:

    Not that anyone is reading this…..but now when I use Firefox to upload a song, which is a pain…..it says “success”…but the song is cut to 35 seconds….wassup with that?

    Troubled in Portland

    Apr 10, 2008/10:58 am
  • Bobby Caputo's comment is:

    FYI

    Tried to upload a song using Safari…..sent me to an error page…..Tried Firefox…it worked.

    BC

    Apr 8, 2008/9:49 am
  • Steve Dafoe's comment is:

    Hello George (pianoman1) and to all:

    I know you sent me an e-mail to thank me for speaking up and for the support. I thought i’d answer it here maybe for the benefit of other members. I have been very vocal on all of these blogs since after the Web Transition began, (when i did not realize such a thing was going on.) I had many issues with the site and I realized all communications are done in a blog format. I laid out many points in frustration that I will not repeat here, (look in the archives) I have strong thoughts on the handling of the web transition itself and the on-going issues with it.

    Speaking to your e-mail…. I know one of your issues was in submitting 400+ songs and geting nowwhere fast. Hopefully, the law of averages will favor you soon. I’ve been guilty of submitting a lot of material at other sites and this one too, hoping for the ” big break”.
    Nobody said this would be easy. But i’ve learned a few things quickly.
    (1) As one example, TAXI has a lot of Listings from Music Libraries. And Music Libraries may or may not shop your material. Most are no different than Broadjam, where we can sell downloads etc.. But I learned why spend the $5 per song at Taxi/SonicBird/Indie 911, etc.. on these kind of listing submissions when you can go to many, many Music Libraries DIRECTLY who will take your stuff. For Free. Very few won’t….ie: The Music Library being one. And you may have to “audition” a few songs for some sites but very few actually work exclusively with a middle man (ie: Taxi) There goal is to build a Library and they are open for business from artists directly. On these Music Sites A/R people may scan what they’re looking for. Or the sites actively shop your product (ie: Royalty free places but ONE NEEDS TO VERY CAREFUL ABOUT ROYALTY FREE SITES).
    (2) Your frustration and others with the system Broadjam is using, is that it would be nice if we had a bit more of transparency on BJ TV/Film submissions. I understand it is “review” based on what gets forwarded first, but it would be nice to know that my song “ABC” was # 34 on a list of songs forwarded for submission # 123. (NY TV SERIES SEEKING….)
    A simple e-mail to me for the money I spent. Also, I’d be curious to know for the artists that have the good fortune for a Licence deal for TV/Film….where their song placement was…..in the first 5 or in the first 10?….or were they the 100th song? Does the Submission Listing A/R even bother with songs after the first 10—20 they receive?? It would be nice to know and maybe Roy and staff will take note on this.
    (3) Part of the Frustration in song submissions is the “generalization” of the actual listing’s. Song requirements aren’t as specific as they would be on sites like Sonicbirds or Taxi. In other words, they detail a SPECIFIC genre needed maybe something like “pure Country sounding like Traditional artist like George Jones”. With BJ TV/Film opportunities they tend to be wide ranging, (not always though)….. and its hard to know what song i might have that may be the best shot at a listing. I favor more specific type of listings that help us not waste money.

    Anyway, Pianoman1 this may or may not help you but i did want to respond for the benefit of all. I hope other people use all or some of the blogs to help Pianoman1, Earl, Jim, Shekhar and Cameron by voicing concerns and offering support. ( i believe there’s 86,000+ )
    This will be my last blog .

    Thanks

    Steve Dafoe

    Mar 30, 2008/8:50 pm

Ask OBEDIA: tips, tricks and how to’s

 Digital Audio Training and Support - 24/7


We’ve all faced the challenges – it’s 1am and you’re on a creative roll when suddenly, your computer crashes, inspiration is lost, and you’re facing a technical nightmare. Call OBEDIA. They’re available any time, day or night, to help you with your technical problems and put you ahead of the learning curve for new software.

And now, you can get answers right here on broadjam. If you have any technical problems, need any “how-to” tips and tricks or just need advice on what to buy, post your questions on the OBEDIA Q & A Blog. Answers will be posted the following week for all broadjam members to read and learn from Obedia’s expertise.

About OBEDIA:

OBEDIA provides 24/7 training and support for all the major computer-based recording systems. They work with clients worldwide, ranging from absolute beginners to seasoned professionals. OBEDIA also has an impressive list of industry clients, including Sony Pictures Entertainment, AMD, the Grammy Foundation and many others.

Posted by Broadjam on Mar 13, 2008 in Broadjam Blog

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RECENT COMMENTS …
1 total comment on this post.
  • MooneyConspiracy's comment is:

    the Optimizing your PC for Audio tips section is spot on ! cheers !

    Mar 25, 2008/9:15 am

Billboard, Clive Davis & The Hooters

I’ve been in NYC the past couple of days at the Billboard Music & Money conference. It’s an interesting collection of industry executives who come together once a year for this event. It’s always a good education to attend these things and keep my nose in the biz. Clive Davis was one of the keynote speakers and it was inspiring to hear him talk. One of his comments, and I’ll paraphrase him, was that it all starts with the song. And he went on to say that it’s pretty much impossible to sell records without good songs. If anyone would know, it’s him And the guy never seems to age – he must be doing what he loves!

Later that night I went to BB King’s on 42nd street to see The Hooters. I stood and watched these guys play their hearts out for 2+ hours. As I was standing there, I was thinking of what Clive Davis said earlier that day. The Hooters are cream-of-the-crop songwriters. Besides their own string of hits, they’ve written many others including “Time After Time” for Cyndi Lauper and “One Of Us” for Joan Osborn.

I’ve known the band for quite a while, and the engineer of their most current record, John Senior, has been a good friend since we both worked at Ensoniq Corp. I have always been a fan and thought it would be tough for them to one-up their effort. I got an advance copy of their new record a few months ago and I believe it’s their best yet.

If you get a chance, get a copy of this record, listen carefully and absorb the songwriting. These guys are what Clive Davis was talking about — brilliant writers. Not only that, they’re excellent showmen, and I wish them the best this time around.

Roy

Posted by Broadjam on Mar 9, 2008 in Broadjam Blog

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RECENT COMMENTS …
1 total comment on this post.
  • Jim Ferrie's comment is:

    Yeah, I’ve just checked out the Hooters’ myspace page. Roy’s right. All their songs are well written and extremely hooky. Also, the production’s fairly cut down which helps let the songs themselves come across well.
    Regarding songwriting, I was fortunate enough to be in Belfast last month for the 4th Belfast Nashville Songwriter’s Festival where a ‘cream of the crop’ bevvy of grammy-winning writers came over from Nashville and beyond to play and give the best and honest advice to aspiring writers, me included. If you get a chance to go to an event like this, jump at it. It’s a great motivator too. Ralph Murphy from ASCAP ran three songwriting sessions over three days, culminating in each participant to demo their ‘reworked’ song in from of Ralph, Don Schlitz and Pat Alger – this was quite something. I spent about an hour with Benny Gallagher (of Scottish 70′s hit group Gallagher & Lyle) giving great advice on everything from methods to get rid of writer’s block to knowing how to collect your royalties. And the one thing that all these guys stressed – (to paraphrase) it all starts with the song.
    If a similar event exists in your neighbourhood – go to it!

    Mar 10, 2008/4:22 pm

Update on website platform transition

Hey all,

A few days ago, I wrote about Broadjam.com’s migration to a new platform, and I want to give you a quick update. The transition is going very well, and we’re looking forward to finishing in the next few days. Most major issues have been resolved, and a few others are being worked on as we speak. To date, we’ve heard from about 25 of our members and we greatly appreciate any feedback that you can offer. Please keep it coming.

One thing you can do to enhance your experience is to upgrade your system to the latest version of Firefox, Internet Explorer or any other browser you might be on. (This will probably enhance your overall Internet experience, as well.)

We realize there are still outstanding issues, and thank you in advance for your patience. Our customer service team is working closely with our developers, so a note to customerservice@broadjam.com will receive a quick response. Or, as always, you can email me at roy@broadjam.com

Thanks again for your support.

Roy

Posted by Broadjam on Feb 23, 2008 in Broadjam Blog

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RECENT COMMENTS …
51 total comments on this post.
  • RJ Miller's comment is:

    Get this message when I try to upload a song Help???

    The page cannot be found
    The page you are looking for might have been removed, had its name changed, or is temporarily unavailable.

    Please try the following:

    * If you typed the page address in the Address bar, make sure that it is spelled correctly.
    * Open the streaming.broadjam.com home page, and then look for links to the information you want.
    * Click the Back button to try another link.

    HTTP 404 – File not found
    Internet Information Services

    Technical Information (for support personnel)

    * More information:
    Microsoft Support

    Sep 13, 2008/1:15 pm
  • CAMERON SMITH's comment is:

    Song descriptions are still chopped off after a few lines (refer to my blog of 2-29-08) and I too get “session does not exist” when trying to reupload a newer version of an existing song.

    Cameron Smith

    Mar 18, 2008/5:06 pm
  • Bobby Caputo's comment is:

    FYI

    Not able to upload new song…get “session does not exist” and when I click back…Broadjam goes away.

    Bobby

    Mar 16, 2008/11:08 am

Founders Blog: website migration

For the past few months, our development group has been rebuilding the foundation of our website – moving it from one platform to another. For the most part, these changes will be invisible to you. Why do we do things like this when the site seems to be running fine? Sometimes I ask myself the same thing…LOL.

But in all seriousness, to keep a competitive advantage, we have to stay on the front edge of new technology, whether it’s behind the scenes or not. Overhauls like this enable us to add new features quickly and efficiently… all of which we’ll be talking about more as the year unfolds. What does this mean to you? We would like to continue to hear your thoughts and suggestions.

We have a lot of great ideas for where we want to take the site, but yours are even more important. If you have features or improvements you’d like to see, I ask you to put your idea in this blog feedback or email me directly at roy@broadjam.com.

Thanks for being a member of Broadjam,

Roy

Posted by Broadjam on Feb 20, 2008 in Broadjam Blog

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RECENT COMMENTS …
11 total comments on this post.
  • Soundtracks To Go's comment is:

    Hey, my problem is all fixed! Thanks for the fast response! You guys are great!

    K. Sirrah
    http://www.broadjam.com/soundtrackstogo

    Mar 13, 2008/4:31 pm
  • Soundtracks To Go's comment is:

    Hey, my problem is all fixed! Thanks for the fast response! You guys are great!

    K. Sirrah
    http://www.broadjam.com/soundtrackstogo

    Mar 13, 2008/4:31 pm
  • Soundtracks To Go's comment is:

    Hey, my problem is all fixed! Thanks for the fast response! You guys are great!

    K. Sirrah
    http://www.broadjam.com/soundtrackstogo

    Mar 13, 2008/4:30 pm

Ask OBEDIA: tips, tricks and how to’s

 Digital Audio Training and Support - 24/7


broadjam and OBEDIA are excited to announce the weekly OBEDIA Q & A Blog. We’ve all faced the challenges – it’s 1am and you’re on a creative roll when suddenly, your computer crashes, inspiration is lost, and you’re facing a technical nightmare. Call OBEDIA. They’re available any time, day or night, to help you with your technical problems and put you ahead of the learning curve for new software.
And now, you can get answers right here on broadjam. If you have any technical problems, need any “how-to” tips and tricks or just need advice on what to buy, post your questions on the OBEDIA Q & A Blog. Answers will be posted the following week for all broadjam members to read and learn from Obedia’s expertise.

About OBEDIA:

OBEDIA provides 24/7 training and support for all the major computer-based recording systems. They work with clients worldwide, ranging from absolute beginners to seasoned professionals. OBEDIA also has an impressive list of industry clients, including Sony Pictures Entertainment, AMD, the Grammy Foundation and many others.

Posted by Broadjam on Feb 13, 2008 in Broadjam Blog

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RECENT COMMENTS …
4 total comments on this post.
  • OBEDIA_FRED's comment is:

    RE: Pro Tools EQ 3… I know of no set of presets that exist for this plugin.

    Feb 18, 2008/2:02 pm
  • OBEDIA_FRED's comment is:

    Sonar 6 is usually pretty stable. Needless to say, something is wrong here. The first thing to do is figure out why SONAR is crashing… We’ll have to dig a little deeper to figure that out. Can you reliably REPRODUCE the crash? If so, what function are you performing or what plugin are you using that causes the crash?

    As far as “KILLING” the MIDI I/O thingy in the system tray, there should be no need to do that, AND I’m pretty sure it’s NOT “killable”. Whatever is happening in the CRASH is not releasing the MIDI i/o portion of SONAR. This may help us understand what is going on during the crash. There are several possible causes here.

    Cheers,
    Obedia Fred

    Feb 16, 2008/2:37 pm
  • mbeeler's comment is:

    HI, I use pro tools 7.3 LE and am wondering how to set up the instrumentals and vocals on the 7 – band equalizer. Or maybe you could show me a website where I could download some factory pre-sets for the 7 – band equalizer. Thank You.

    Feb 16, 2008/10:49 am

Broadjam welcomes Namba Gear

Last fall, I ran in to Woody Moran at the Audio Engineer Society conference. Woody had recently launched a new company called Namba Gear. Namba Gear makes really nice quality carrying cases for studio gear, laptops, cables and the like. Woody is a long time industry veteran going back to MIDI Man through his days at M-Audio. We’re pretty in to what Woody’s doing with Namba Gear, and we’re excited to be promoting his bags on our site.

You might see Namba Gear’s ad running around our site. Please take a moment to click through and check them out at nambagear.com.

We’re always working on improving Broadjam and lots of cool things are just around the corner. With that said, I would love to hear from you. If you have any thoughts or suggestions, feel free to post them here or send them to me at Roy@broadjam.com.

Roy

Posted by Broadjam on Feb 11, 2008 in Broadjam Blog

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RECENT COMMENTS …
No comments on this post.

Korg D888 Giveaway: Round Two

ROUND TWO:
Our friends at Korg have read your entries and have chosen their top five favorites. Now it’s your turn. Below are the five finalists in the Korg D888 Giveaway. Read through the comments and decide who makes the best case. Your comments will determine who walks away with this innovative digital recorder/mixer.

We will be accepting your comments for two weeks only, so don’t miss your chance to weigh in on who you think should win the Korg D888. Please post your comments within the blog. We’re tracking this in the blog because we want to know more about why you like the entry you chose.

Thanks for your participation.

RULES:
These rules supplement, incorporate by reference, and are to be read with (and not to limit), the Broadjam User Agreement located within the Broadjam User Agreement.
1. You must be at least 13 years of age to vote in the Korg D888 Giveaway.
2. You must provide true, accurate, current and complete contact and other information, as requested by Broadjam.
3. You may be disqualified for false registration, making false claims, misrepresentation or any other behavior, action or activity that Broadjam, in its sole discretion, deems to be “cheating.”
4. All votes for the Korg D888 Giveaway must be fully posted in the blog by 11:59 PM Central Standard Time (or, if being observed, Central Daylight Time) on January 22, 2008.
5. Closing and announcement dates may change without notice to you.
6. All votes are final and irrevocable. Once you have posted your vote for the Korg D888 Giveaway, you may not withdraw the vote or request to change.
7. Broadjam may change these rules at any time, in Broadjam’s sole discretion, without notice to you.
8. Voting in the Korg D888 Giveaway does not grant you any right or license to use any Broadjam material (i.e. logos, images, text, etc.), trademarks or other intellectual property of Broadjam for any purpose, without Broadjam’s express written consent.
9. Employees of Broadjam, their sponsors, advertising agencies, affiliates, agents, representatives, and the families or households of the above are ineligible to vote in the Korg D888 Giveaway.
10. Without limiting the applicability of other provisions of the User Agreement, the limitation of liability provisions of Section 1.11 of the Broadjam User Agreement apply to the Korg D888 Giveaway.
11. The selection of winners by Broadjam and the judges, is final and unappealable.
12. Arrangements for receiving all prizes, unless otherwise specified, must be made within thirty days after Broadjam’s receipt of a winner’s affidavit of eligibility/publicity release. It is the responsibility of the winners to claim prizes within such thirty day period. All unclaimed prizes will be forfeited, and Broadjam may award any unclaimed prize to a runner-up.
13. All prizes are non-transferable and void where prohibited by law. No cash substitution of prizes is allowed.
14. The odds of winning will depend on the number of eligible votes received. Winners will receive the prizes as set forth in the Korg D888 Giveaway announcement. In the event a prize is not available due to circumstances beyond Broadjam’s control, Broadjam reserves the right to provide a substantially similar substitute prize that Broadjam deems to be of greater or equal value.
15. Winners understand and agree that they are solely responsible for any and all taxes, including but not limited to sales, income, or value added, incurred on prizes received, and for any and all duties, tariffs, or import fees that may be assessed upon receiving prizes.
16. Broadjam will incur the cost of shipping prizes. Broadjam may choose the method of shipping, in its sole discretion. Broadjam is not responsible for the failure or tardiness of prizes or damage to prizes, delivered via US Postal Service, United Parcel Service, Federal Express, DHL, or other reputable carrier. Proper identification such as a valid driver’s license, passport, state ID, or military ID may be required to accept delivery of prizes. In the event that a winner chooses not to accept a prize, the winner forfeits all claim to that prize, forever.
17. The Korg D888 Giveaway is void where prohibited.
18. To obtain the name of a winner, which will be available after the conclusion of the Korg D888 Giveaway, mail a self-addressed stamped envelope to: Broadjam Contest Winners, Broadjam, Inc., 6401 Odana Rd., Madison, WI 53719.

Posted by Broadjam on Jan 8, 2008 in Broadjam Blog

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RECENT COMMENTS …
44 total comments on this post.
  • gmoney723's comment is:

    My vote goes to Marcel Anton…

    Jan 31, 2008/11:46 am
  • Daddy M-Cross's comment is:

    My vote goes to stan.
    It is good to help the younger ones. Stan is practicing being a Big Brother.
    Chris

    Jan 26, 2008/12:32 am
  • Soundtracks To Go's comment is:

    Hi. This is K. Sirrah. First I would like to thank everyone who has cast their vote for me. The love in this place is awesome! Second, as much as I would love to win the Korg D888, I just read Stan Graham’s reasons for wanting this incredible piece of gear. As a songwriter, I know what it means to have ideas you can’t capture because you don’t have access to the technology you need. When I read the specs on the Korg D888, it really struck me how complete this piece really is. I don’t want to sound like a commercial or anything, but it truly has everything a songwriter could ever want. With that said, I know that there are many struggling songwriters in the Yorkshire Songwriters Circle who could benefit tremendously from all that recording power. Therefore, in the name of Songwriting (and in the hopes of helping a kindred soul), I cast my vote for Stan Graham.

    Jan 24, 2008/8:17 pm
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