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Hi Jonathan, Thank you for your review on "The Days that will Come". There is indeed an (tonewheel) organ in the short "reggae style" passage before the end of the track. The "quiet" atmospheric passage in the middle has an (electronicaly) custom organ made by a hard twick of a classical string section. Actually I did not understand which part of the track you refered me to check. Thank you again for your constructive feedback
Stelios, I listened to the piece again today and I should have given it a 4 or 5 rating. I think I was judging the audio engineering more than I should have. As an original motion picture piece I think it's brilliant so please ignore my comment on the organ. It sounds fine.
Jonathan, Thanks for taking the time to review "Carmenita", and welcome to the Broadjam community! I truly appreciate getting comments from talent such as yourself. You sensed correctly that the intention of the piece was to shift moods. The story goes: Carmenita, a very successful Flamenco dancer in her time, laments over the fact that she's now old, but can still find solice with her memories of the golden years. I liked Cello Requiem very much. If I can suggest an improvement in the recording, I'd consider pulling the loop that dominated the left side of the track back once in a while. It was a bit of an annoying drone at times. Best of luck! Yuri
Ah, that makes sense. Your piece tells the story clearly then. Very good. Thank you for your comment as well. I like to play with the stereo field but know this can be annoying so I will take your feedback. Regards.
It's placement in the stereo field is fine. Just take it back a few db's once in a while so that it doesn't dominate the piece. BTW, it's just an opinion. You, as its creator, know what works best for what you intended. Cheers! Yuri
thanks so much for revewing "Blue Magic" It's always good to hear other people's comments. Appreciate it!